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  • Wed, 16:20: It is said that @Skype don't give refunds. Go on for long enough with written equivalent of a monotone voice & (when they're wrong) they do.
  • Wed, 20:50: has just realised that after this week I'm not working another five day week until June! :-) #nicefeeling

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The Tale of an Indie Author: something new

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[mood | nervous nervous]

[tags | books, indie experiment, reading, the end of all worlds]

Somehow, I seem to have agreed to read from my debut novel, The End Of All Worlds, at a book reading event a the Oxfam Bookshop in Reading. I’ve never done a book reading before, and already I’m pretty nervous about it even if it may only be half a dozen people and the odd blind dog.


The question is what bit of the book do I read from. So here goes, those of you who’ve read it, please give me your suggestions, and hey, I’ve even made it easy for you.







What section(s) of my book should I read at my book reading?







View Results




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Originally published at shepline: the journal. You can comment here or there

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A complicated tale of country folk

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[tags | bicester booklings, books, reading, reviews]

11047811Precious Bane by Mary Webb


I had never heard of this book until Lucy suggested it as a read for the inaugural meeting of the Bicester Booklings, and so I had little idea of what to expect from it.


It’s not the easiest book too get into though, I found, being written in the thick dialect of rural Shropshire. It is absolutely beautifully written though, and reminded me in many ways of Laurie Lee’s Cider With Rosie. Unlike though with that book, Precious Bane takes its time to keep going and I had to really to force myself to keep going. The way that Mary Webb uses the characters surnames a lot in preference to their first names didn’t help me keep track of the story.


Persevere I did though and once I got half way it was a rollercoaster of white that I was fully engaged with. During the second half, whilst I had previously likened the story to Cider With Rosie, now I was finding it on a par with Halldór Laxness’ Independent as people for unrelenting depressiveness.


Precious Bane does at least have a happy ending and one that brings joy to your heart.




Originally published at
[Error: Irreparable invalid markup ('<a [...] http://journal.shepline.com/a-complicated-tale-of-country-folk/">') in entry. Owner must fix manually. Raw contents below.]

<p><a href="http://journal.shepline.com/wp-content/uploads/2013/04/11047811.jpg"><img class="alignleft size-medium wp-image-5483" alt="11047811" src="http://journal.shepline.com/wp-content/uploads/2013/04/11047811-193x300.jpg" width="193" height="300" /></a><strong><em>Precious Bane</em> by Mary Webb</strong></p>
<p>I had never heard of this book until Lucy suggested it as a read for the inaugural meeting of the Bicester Booklings, and so I had little idea of what to expect from it.</p>
<p>It&#8217;s not the easiest book too get into though, I found, being written in the thick dialect of rural Shropshire. It is absolutely beautifully written though, and reminded me in many ways of Laurie Lee&#8217;s Cider With Rosie. Unlike though with that book, Precious Bane takes its time to keep going and I had to really to force myself to keep going. The way that Mary Webb uses the characters surnames a lot in preference to their first names didn&#8217;t help me keep track of the story.</p>
<p>Persevere I did though and once I got half way it was a rollercoaster of white that I was fully engaged with. During the second half, whilst I had previously likened the story to Cider With Rosie, now I was finding it on a par with Halldór Laxness&#8217; Independent as people for unrelenting depressiveness.</p>
<p>Precious Bane does at least have a happy ending and one that brings joy to your heart.</p>
<br /><br /><!-- Start LivePress linkback --><small>Originally published at <a href="<a href="http://journal.shepline.com/a-complicated-tale-of-country-folk/">shepline: the journal</a>">shepline: the journal</a>. You can comment here or <a href="</small><!-- End LivePress linkback -->

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When a photographer is not a photographer

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[tags | arts, creativity, photography]

There was an interesting discussion on BBC Radio 4′s Front Row tonight about a new exhibition of photographs…




Deutsche Börse Photography Prize 2013




The four artists shortlisted for the Deutsche Börse Photography Prize 2013 are the artist duo Adam Broomberg & Oliver Chanarin, Mishka Henner, Chris Killip and Cristina De Middel.


A selection of the shortlisted artists’ work is on exhibition at The Photographers’ Gallery from 19th April – 30th June.





One of the photographs was displaying “images”  that he had “taken” from Google StreetView. much of the discussion focused on whether you could call yourself a photographer of you didn’t actually take the photographs yourself. My instinctive reaction is no. But then I started to think about it…


In this particular case the exhibition consisted of old photographs of street scenes put together with and alongside the same scenes but from Google StreetView. Why, I began to wonder is this any different to the writer who borrows and takes from and references old stories and retellings and then weaving together to  make something new. Why are they still a writer but the photographer isn’t? I don’t have an answer for it… in my mind they are still unquestionably an artist but that a photographer does need to take photographs.


( listen to the episode )


 


 


 





Originally published at
[Error: Irreparable invalid markup ('<a [...] http://journal.shepline.com/when-a-photographer-is-not-a-photographer/">') in entry. Owner must fix manually. Raw contents below.]

<p>There was <a href="http://www.bbc.co.uk/programmes/b01s0qnh">an interesting discussion on BBC Radio 4&#8242;s <em>Front Row</em></a> tonight about a new exhibition of photographs&#8230;</p>
<blockquote>
<div>
<h2>Deutsche Börse Photography Prize 2013</h2>
</div>
<div>
<p>The four artists shortlisted for the <a href="http://thephotographersgallery.org.uk/photography-prize-2013#-INFO">Deutsche Börse Photography Prize 2013 </a>are the artist duo Adam Broomberg &amp; Oliver Chanarin, Mishka Henner, Chris Killip and Cristina De Middel.</p>
<p>A selection of the shortlisted artists&#8217; work is on exhibition at The Photographers&#8217; Gallery from 19th April &#8211; 30th June.</p>
</div>
</blockquote>
<div>
<p>One of the photographs was displaying &#8220;images&#8221;  that he had &#8220;taken&#8221; from Google StreetView. much of the discussion focused on whether you could call yourself a photographer of you didn&#8217;t actually take the photographs yourself. My instinctive reaction is no. But then I started to think about it&#8230;</p>
<p>In this particular case the exhibition consisted of old photographs of street scenes put together with and alongside the same scenes but from Google StreetView. Why, I began to wonder is this any different to the writer who borrows and takes from and references old stories and retellings and then weaving together to  make something new. Why are they still a writer but the photographer isn&#8217;t? I don&#8217;t have an answer for it&#8230; in my mind they are still unquestionably an artist but that a photographer does need to take photographs.</p>
<p><strong>( <a href="http://downloads.bbc.co.uk/podcasts/radio4/frontrow/frontrow_20130418-1950a.mp3">listen to the episode</a> )</strong></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
</div>
<br /><br /><!-- Start LivePress linkback --><small>Originally published at <a href="<a href="http://journal.shepline.com/when-a-photographer-is-not-a-photographer/">shepline: the journal</a>">shepline: the journal</a>. You can comment here or <a href="</small><!-- End LivePress linkback -->

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